A Choice of Futures
for Shawna Marie Helland
(1) Future Primitive
On the horizon
the first buildings can be seen
graceful shapes of chrome and glass
thrust into a brittle blue sky connected
by a tubular umbilicus through which human
figures shuttle to pre-arranged destinations with
mathematical certainty
Take a number
This future
is lived as expected,
we rehearsed daily the yielding
of the beautiful flaw which marked
us human, primitive, unable to march
the civilized quickstep which has now
become the only dance there is and no music
name please
Every lust cancelled,
fear acknowledged, passion cooled
marks the passing of the precious jewel
of our incompleteness, the un-cut diamond
of ourselves that ensures my difference from you
and your separateness from me and this was lost in this
primitive future
social insurance number
driver's licence number
health care number
apartment building number
account number
employee number
Is it a coincidence
that the root word of number is numb
and finally the yielding of the flaw is complete
and we are the perfect benumbed ciphers living in
counting order beginning at zero and ending at zero
with only the click of lineal digits to mark the passing
of what we once called life.
form a line to the right
Elevator music
once a pale sexless shadow
has been reduced further to a
comforting patterned drone that creates
in our inner ear the formation of lines and
intersections which we ourselves will describe
on conveyor belts and moving sidewalks adding up
to the total equation
form a line to the right
We live
in our primitive future
as anticipated in the daily reduction
of light and colour to form and matter
resulting in this smoothly turning machine
in which we are nothing but a replaceable cog
which when broken causes nothing but foreseeable
variants plotted in advance on a graph
form a line
(II) Future Perfect
close your eyes
Think of gases,
dust clouds from which
vague crumpled shapes emerge
and the light is a strange red, the colour
of blasted brick and teh tarnished blue of
tempered steel
slate gray
imagine tomorrow
You feel
strange fierce winds blowing
directionless swirling eddies whipping
the dust into wide frightened eyes that
see nothing but a pefect future
future perfect
the phone rings
what will you wear to the party
One dog howls,
scavenging packs scour
ravaged parks, back alleys
for scraps of food, scorched morsels
are the only abundance in this most perfect future
future perfect
you would like to wear the burgandy sweater
that looks so good with the black sportcoat
but it chafes at the neck
causing irritation
A moon rises full,
round stained yellow shining
through dust clouds, strange gases
transforming the light through shades
of orange, ochre to pale, luminous white
illuminating at intervals vague crumpled shapes
and slate gray shadows
you finally settle
on the striped crew neck
it looks slightly European
and no one at the party has seen it
The sun streaks
the eastern sky, a red light
marks a new day beginning
and it is quiet the dust has settled,
the dogs have stopped barking, scavenging
you are suprised at your nervousness
you adjust the sweater once more
and open the door
The quiet is complete,
perfect finally beyond anticipation
inquiry past dread, suspense is no longer,
mystery was primitive and the future tense,
perfect.
I'm so glad you could come
and I love your sweater
It's perfect
(iii) The Human Future
I will love you
in furs, silver fox or mink,
shining and undulant framing
your face, your eyes round and dark
reflecting scattered points of light and when
we make it big someday all this will be yours kid
I will love you
Proudhon said,
knowing our century
better than we ourselves do
"possession is theft" and thereby
making the only possible claim on the future
which is to speak in a voice tht continues to echo
long after the words are spoken
I will love you
And Corso, with his child-like wisdom
said "the finite is all that you've got and
the infinite is all that you don't got" knowing
that all anyone really has is the infinite possibility
of experience in each second of our lives creating but
not predicting the best of all possible futures
I will love you
The Japanese, after Hiroshima,
coined the word hibakusha meaning
those who do what is necessary, even when
the unimaginable has been described, etched
with human flesh into stone we shall do what is
necessary. I suspect that many made love that day
in August seeking contact with flesh that had not been
burned
I will love you
Was it only the brownshirts
who with infinite culpability sang
tomorrow belongs to me and thought
they owned the next thousand years or is there
in all of us some of that dangerous sentimentality
which stakes one future against the cost of another
I will love you
I will love you in furs,
tattered hunks torn from our kill
wrapped 'round you to insure a future
at least until morning and I'll hunt again
tomorrow to insure another night we shall be
hibakusha doing what is necessary in a future of
any and all possibilities
and I will love you